So much of our life and language is tied up in our understanding of time. Work deadlines, milestones, catching planes, gym timetables, shop opening hours, making time, wasting time, time on our hands, killing time. We glance at our smartphone or our fitbit or the clock on the wall to check the time because we know time means something. Hey, but do we really know what time it is?  Apparently not.Read More →

Ever watch that trainwreck of a reality TV show Intervention? Compelling viewing, wasn’t it, watching the details of a human tragedy unfold with the promise of redemption and release always hanging the air? See now, I’m living in my own private script intervention, complete with a rehab program, and turns out, it’s far from entertaining. Damn right unpleasant.Read More →

It’s Modern Family’s Jay Pritchett.  It’s Star Trek’s Doctor McCoy.  It’s Orange Is The New Black’s Galina “Red” Reznikov.  It’s a Hollywood (and small screen) staple, and some might conclude a complete cliche. Yet the ‘crusty but benign’ character, forever firing off conflicting messages of love and disdain, has something to tell us writers.Read More →

  Three drafts of ‘to be or not to be’. There’s probably a bunch more where that came from.*   First drafts are the raw materials of my industry. I get to read a lot of them.  I love them. They are what they are; the first in (hopefully) a progression of ever more distinguished versions of a good story. Whether you are a complete novice or you have fully emerged from those difficult, uncertain times to the infinitely more difficult and uncertain times of being a hardened professional, first drafts never stop being appalling things.Read More →