Recently I’ve been watching a sci-fi series Fall Out, a TV series adaptation of a video game. I’d never heard of this game but my 20-year old son says it’s an old school corker of a role-play game. General premise of the TV series: Set in a retro-futuristic world following a nuclear war, there exists a small pocket of humanity flourishing in a 1950’s moral bubble inside a bunker-like underground vault. Outside the world has gone to hell, a fact quickly realised by our hero, Lucy, a doe-eyed, goody-two-shoeing American sweetheart, when she must leave the vault to rescue her kidnapped father. She navigates theRead More →

A weird but inescapable fact— making theatre is to cause a huge group of artists with a huge variety of skills and creative drives to come together to produce a single, comprehensive, cohesive piece of art.  It’s a miracle that not more blood is spilt over it.Read More →

“Where do you get all your ideas?” some people ask of writers as if there is some secret trick of the trade. That’s like saying to an actor, “I don’t know how you remember all those lines!” There is no trick. It’s just what happens. Writers get ideas. But that’s not to say anything after the getting of an idea is easy.Read More →

So much of our life and language is tied up in our understanding of time. Work deadlines, milestones, catching planes, gym timetables, shop opening hours, making time, wasting time, time on our hands, killing time. We glance at our smartphone or our fitbit or the clock on the wall to check the time because we know time means something. Hey, but do we really know what time it is?  Apparently not.Read More →

Ever watch that trainwreck of a reality TV show Intervention? Compelling viewing, wasn’t it, watching the details of a human tragedy unfold with the promise of redemption and release always hanging the air? See now, I’m living in my own private script intervention, complete with a rehab program, and turns out, it’s far from entertaining. Damn right unpleasant.Read More →